The dramatic play on proportions of this white taffeta shirt _ exaggerated sleeves and cuffs and carefully structured corset _ link fashion with Gianfranco Ferré's training as an architect. "I use the same approach to clothes as I did when I designed buildings", he says. "It is basic geometry: you take a flat form and revolve it in space". Ferré originally worked as a jewellery and accessories designer, before launching a ready-to-wear label in Milan in 1978. In 1989 he was appointed artistic director at Christian Dior; his first collection was inspired by Cecil Beaton's black-and-white costumes for My Fair Lady (1964), preferring a neutral palette with dashes of his signature bright red. A perfectionist, his technical skill is shown in his precision tailoring, with a love of proportion-play revealed in his constant reinvention of the white shirt, worn with jodhpurs and evening skirts, but under Ferré's direction it is always glamorized.
Also look up for Beaton, Dior, Dolce & Gabbana, Turlington
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