During the 1930s there was a revival of interest in classical art and an evening gown was an especially suitable garment for re-creating the flowing movement of the draperies of Ancient Greek statues. It is this sculptural form and the long, floating line billowing out at the bottom that Man Ray captures in his photograph.
Augusta Bernard enjoyed a successful career during the first half of the 1930s. A neoclassical evening gown she designed in 1932 was chosen by Vogue as the most beautiful dress of that year. Augusta Bernard belonged to that eminent band of couturières between the two World Wars, which included Chanel, Vionnet, Schiaparelli, Louiseboulanger and the Callot Soeurs. Like Vionnet, she was a technician with a mastery of the bias cut. By cutting the fabric of the dress on the cross-grain, she achieved a fluidity that gave the evening gown great elasticity and a refined, draping quality.
Also look up for Boulanger, Callot, Chanel, Man Ray, Schiaparelli, Vionnet
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