The citrus colours of summer are given a fresh, literal interpretation. Photographer Henry Clarke was first drawn to fashion photography by watching Cecil Beaton photograph Dorian Leigh. He created animated photographs, but Clarke was also naturally inclined to elegance, and his images of French fashion in the 1950s, in particular, exemplify the balance he sought between the formal, almost statuesque, dress of the epoch and the casual effect of snapshot instantaneity. Artful and artless at the same time, Clarke's photographs benefited from the licence given him by Diana Vreeland at Vogue and the exotic locations they used for photo shoots. Skilfully moving from 1950s high style to the dazzling colours and layering of the 1960s, he made the flamboyant and ethnographic clothes come alive in the context of Mayan archaeological sites and various settings in India, Sicily and around the world.
Also look up for Campbell-Walter, Goalen, Pertegaz, Vreeland
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