Antonio's watercolour model embraces a deconstructed mannequin for Italian Vogue in 1981. This surreal element, a tradition created by Dalí, Cocteau and Bérard in the 1930s, was a theme used by Antonio throughout his career. Texan Jerry Hall was painted with Lone Star emblems and cacti growing from her Stetson, while Pat Cleveland was metamorphosed into a stiletto boot. Despite this visual play, Antonio worked from life, building sets as a photographer would. Antonio was inspired by the drawings of Boldini and Ingres, which becomes clear when looking at the fine finish on his pencil drawings. His work dominated fashion illustration for a decade, encouraging a discipline that had diminished throughout the 1950s. Antonio worked with a clique of international models and high-profile friends who converged on Paris in the 1970s. Tina Chow, Grace Jones and Paloma Picasso were regular sitters.
Also look up for Chow, Dalí, G. Jones, Khanh, Versace
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